The City Emerging

Benign Fixations for Violin and Piano (1983)

Burned and Scattered Gods for Trumpet and Small Ensemble (1987)

Autumn Music for Small Ensemble (1985)

Entente for Orchestra (1988-89)

From Here to There Can Be a Complicated Thing for Electric Guitar and String Orchestra (1983)

Mainstreams for Soprano and Piano (1987)

The Observer and the Observed for Speaker, Soprano and Chamber Orchestra (1983-86)

Benign Fixations
Violin, Nancy Roth; Piano, Karl Voss

This piece got me into some real trouble back in 1983. My music professors believed that atonality was the only legitimate way for a composer to go. I wanted to write this, so I did. It caused some real problems, but all these years later I’m pleased I went my own way.

Burned and Scattered Gods
Trumpet, Andrew Dawson
Autumn Music
Performed by The California E.A.R. Unit at St. Mary’s College in June of 1993
The City Emerging (Entente)

Entente is scored for 1 piccolo, 2 flutes, 2 oboes, 2 clarinets, 1 bass clarinet, 2 bassoons; 4 French horns, 3 trumpets, 2 trombones, 1 bass trombone, 1 tuba; 5 persussionists, 1 harp, 1 piano, and a full string section.

From Here to There Can Be a Complicated Thing (for Electric Guitar & String Orchestra)
Electric Guitar, FM

Mainstreams (four songs)

Soprano, Jan Abell      Piano, Kathryn Elaine Williams

1. Vacancy, No Vacancy

Hands embrace hands,/ Eyes close in on other eyes./ Shouting with their bodies, /Their truth and their lies come oozing./ Doubting but uncritical, they surrender/ To their homes and the warmth they remember.

He locks in beyond the distance./ Beyond his empty park he knows / There lies a still pool edged with snow. / He locks in./ But soon an ardent flagellate / will thrust his arms through plates of glass / To smear the words whispered in neon: / No vacancy. / He locks in, and the distance is longer.

2. Sky Turn Falling

Wide synclining fall, / Frozen umbra, lazing, glacial, floating faun. / Sky lunar turn blind sun falling.

Contourless shadows meandering lowly / Merge darkness with neon, / Soft water and ether.

3. Curia

Frazzled lawyers shout for repetition, / Mimed novena. / Hidden clauses, definition changing, / Ave Maria. / Faces in the stucco smile, / Miles divide us now providing time to fret away our fears. / Burning barrios, neon we'll not hear.

Laws concerning laws, / Neon lit fulcra, / A word to drone, / A bodiless, floating form.

Scattered pauses punctuate the sermon, / Lone Curia. / Wrapped in gauze, / Their San Benitos hanging, / Ave Maria. / Faces in the stucco smile. / Father of all defined, / Father of one.

4. Maginot

Wide synclining fall, / Frozen umbra, lazing, glacial, floating faun. / Sky lunar turn blind sun falling. / But long this my Maginot Line was crossed.

Your hands are lesioned, / The sky is bleeding snow. / Hands embrace hands, / But stranger, an empty park lies inside of you.

The Observer and the Observered ( a micro-opera)
Soprano, Cynthia Stahl; Speaker, Frederick Moore; Saxophones, Timothy K. Taylor
Screen Shot 2019-04-07 at 12.41.40 PM.jpg
Screen Shot 2019-04-07 at 12.42.02 PM.jpg
Screen Shot 2019-04-07 at 12.42.09 PM.jpg