Microtonal music
My approach to microtonality is not especially complex or philosophical.
I find a tempered, 24-note octave to be pragmatic for the same reason that most Western composers of the past several centuries have found the 12-note, tempered octave to be useful. But it opens up the possibility of many new sonorities, my favorite being the triad with a third that is sharper than a minor third but flatter than a major third.
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